{"title":"FotoFocus Publications","description":null,"products":[{"product_id":"sun-placed-in-the-abyss","title":"Sun Placed in the Abyss","description":"\u003cp\u003e\u003cem\u003eThe Sun Placed in the Abyss\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together the work of more than 45 artists who, since 1970, have used the sun as an object to explore the historical, social and technological conditions of photography, both still and moving. Borrowing its title from the poem by Francis Ponge,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Sun Placed in the Abyss\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etracks how the sun has been used as a metaphor from Conceptual art to the Pictures Generation to current practices.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublish Date: October, 2016\u003c\/li\u003e\n\u003cli\u003eFormat: Hardcover\u003c\/li\u003e\n\u003cli\u003ePages: 100\u003c\/li\u003e\n\u003cli\u003eISBN: 9780918881731\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fotofocus","offers":[{"title":"Default Title","offer_id":43401808314599,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/9467\/3895\/files\/WebsiteProductImageSize_39.png?v=1790266898"},{"product_id":"old-paris-changing-ny","title":"Old Paris Changing New York","description":"\u003cp\u003e\u003cstrong\u003eAn insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn this comprehensive study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray’s Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city—old Paris—as modernization transformed it. Abbott acquired much of Atget’s work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project \u003c\/span\u003e\u003cem\u003eChanging New York\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis engaging publication discusses how, during the 1930s and 1940s, Abbott paid further tribute to Atget by publishing and exhibiting his work and by printing hundreds of images from his negatives, using the gelatin silver process. Through Abbott’s efforts, Atget became known to an audience of photographers and writers who found diverse inspiration in his photographs. Abbott herself is remembered as one of the most independent, determined, and respected photographers of the 20th century.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fotofocus","offers":[{"title":"Default Title","offer_id":43401808380135,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/9467\/3895\/files\/WebsiteProductImageSize_38.png?v=1790266813"},{"product_id":"no-two-alike-alike","title":"No Two Alike","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-redactor-tag=\"em\" data-mce-fragment=\"1\"\u003eNo Two Alike\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a two-volume publication which documents an exhibition curated by Ulrike Meyer Stump as part of Cincinnati’s 2018 FotoFocus Biennal, with its general theme\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-redactor-tag=\"em\" data-mce-fragment=\"1\"\u003eOpen Archive\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe combination of Blossfeldt’s biomorphism and Bruguière’s abstraction offers clues for the understanding of British modernism and offers insight into the role photography and photobooks played in the British avantgarde.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout his career, Thomas Ruff has expressed great interest in the history of photography and has repeatedly shown a special affinity with Blossfeldt (particularly in his\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-redactor-tag=\"em\" data-mce-fragment=\"1\"\u003eNegatives\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eseries); Bruguière’s abstract light compositions, on the other hand, have strong formal ties to Ruff’s photograms.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-redactor-tag=\"em\" data-mce-fragment=\"1\"\u003eNo two Alike\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexpresses the three artists’ mutual interest in the variant as a creative principle, also advancing the idea that each of these bodies of work presents a variant of the other.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublish Date: September, 2018\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFormat: Softback\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePages: 236\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eISBN: 9783903228870\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fotofocus","offers":[{"title":"Default Title","offer_id":43401808478439,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/9467\/3895\/files\/WebsiteProductImageSize_37.png?v=1790266644"},{"product_id":"mamma-andersson-memory-banks","title":"Mamma Andersson: Memory Banks","description":"\u003cp\u003e\u003cspan\u003ePainters often draw from existing visual materials, such as photographs and reproductions of past works of art, to construct their work. Mamma Andersson is no exception but takes the process a step or two further, importing images of stacks of books and stray photographs, clipped from various sources, into her compositions. Her psychologically-charged paintings have an eerie sense of familiarity, as collaged dreamscapes cluttered with common imagery and accumulated biblio-ephemera.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fotofocus","offers":[{"title":"Default Title","offer_id":43496932081895,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/9467\/3895\/files\/WebsiteProductImageSize_36.png?v=1790266451"},{"product_id":"on-the-line","title":"On the Line","description":"\u003cp data-mce-fragment=\"1\"\u003eThe works in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOn the Line\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eaddress a range of topics, spanning performance and the body, climate change, power, colonialism and identity, heritage, and territory. They originate from a common geography of the Americas, the multi-continental, multi-national landmass (and its archipelagos) spanning northern Canada to Southern Brazil. Collectively, they portray the complex and contested relationships humans have with notions of resources, environment, wilderness, nature, and place.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe “line” metaphor is an organizing principle as well as a reference to the precarity of the social and physical environment in this global moment: to be at serious risk, caught, captured—even following the path of a line can be treacherous.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOn the Line\u003c\/em\u003e emphasizes that photography, in all its forms, delivers a special mandate to document as it also grapples with the deceptions and limitations of the photographic image.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe photo-based documentation of various artistic interventions featured in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOn the Line\u003c\/em\u003e—the stills, the videos of ephemeral acts—suggest an expanded conception of photographic time, representation, and the document. The project thus positions these works as proposals for a new form of social documentary—or “concerned”—photography. Jointly, they offer an evocative expansion of the historical narrative of photography beyond familiar documentary methods, modalities, and attendant assumptions of objectivity toward a more honest, embodied, vulnerable, and up-to-date form of consciousness-raising expression.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOn the Line: Documents of Risk and Faith\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis co-curated by Makeda Best and Kevin Moore as part of the 2022 FotoFocus Biennial: World Record.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOn the Line\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeatures works by Allora \u0026amp; Calzadilla, Francis Alÿs, Mohamed Bourouissa, Abraham Cruzvillegas and Bárbara Foulkes, Mitch Epstein, Patricia Esquivias, Dara Friedman, Jim Goldberg, David Hammons and Dawoud Bey, Rashid Johnson, An-My Lê, Mary Mattingly, Paulo Nazareth, Wendy Red Star, Mauro Restiffe, Lordy Rodriguez, Alessandra Sanguinetti, Kevin Schmidt, Xaviera Simmons and Tania Willard.\u003c\/p\u003e","brand":"Fotofocus","offers":[{"title":"Default Title","offer_id":44844309217511,"sku":"","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/9467\/3895\/files\/CACproduct-092023-84.jpg?v=1697569007"},{"product_id":"barbara-probst-subjective-evidence","title":"Barbara Probst: Subjective Evidence","description":"\u003cp\u003eWith the twelve-part exposure #1 from 2000, for which she photographed herself running on a rooftop in Manhattan from twelve perspectives simultaneously, Barbara Probst began a long-term photo-artistic project that continues to this day. The most recent, three-part exposure #189 deals with ….(human bodies with a sculptural appearance). In between, she has worked with diverse photographic themes, such as still life, street, nude, fashion, interior and portrait photography. In a constantly changing, accelerating, diversifying multimedial world, in which the call for media competence is becoming ever louder, her pictures and series sharpen the viewer’s awareness that there are many perspectives, realities and points of view – in this respect they could hardly be more contemporary and relevant.The three authors of the publication discuss the topicality and impact of the themes addressed by her pictures. The book is published to accompany a major retrospective (Lucerne, Hanover, Cincinnati) and contains, for the first time, a catalog raisonné of all 189 exposures produced to date, as well as an overview of the works of recent years and installation views of her most important past exhibitions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhibitions\u003cbr\u003e\u003c\/strong\u003eKunstmuseum Luzern 24.2.–16.6.2024\u003cbr\u003eContemporary Arts Center, Cincinnati 27.9.2024– 9.2.2025\u003cbr\u003eSprengelmuseum Hannover 11.12.2024–9.3.2025\u003c\/p\u003e","brand":"Fotofocus","offers":[{"title":"Default Title","offer_id":50278449217767,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/9467\/3895\/files\/Untitleddesign_5_17fef37b-534b-458d-b0c7-c2eb8ac2b156.png?v=1726764545"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/9467\/3895\/collections\/Untitleddesign_6.png?v=1790265930","url":"https:\/\/shopcincycac.org\/collections\/fotofocus-publications.oembed","provider":"Contemporary Arts Center","version":"1.0","type":"link"}